{"id":10192,"date":"2025-05-03T17:11:56","date_gmt":"2025-05-03T11:11:56","guid":{"rendered":"https:\/\/skyaddons.com\/elementor\/?page_id=10192"},"modified":"2026-08-13T01:51:10","modified_gmt":"2026-08-12T19:51:10","slug":"parallax-effects-extensions","status":"publish","type":"page","link":"https:\/\/skyaddons.com\/elementor\/parallax-effects-extensions\/","title":{"rendered":"Parallax Effects Extension"},"content":{"rendered":"\t\t
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Parallax Effects<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Smooth Scrolling Experience<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tAdd depth and motion to your website with smooth parallax scrolling. Sky Addons makes it easy to create visually engaging sections that capture attention as visitors scroll.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Scenic rail<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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The long way north<\/h1>\t\t\t\t<\/div>\n\t\t\t\t
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Nine hours of viaducts, pine forest and coast on a line that has run since 1902. Window seats face east until the summit, west all the way down to the water.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tSee the route and times<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Departures today<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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07:12<\/strong>  arrives 16:05<\/p>

14:40<\/strong>  arrives 23:33<\/p>

19:05<\/strong>  sleeper, arrives 06:20<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Bikes travel free in the rear van.<\/div>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Field notes<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Three valleys, one week<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Drive it north to south and the light stays behind you the whole way. These are the three stops worth losing a morning over, and the stretch of road between them that nobody photographs.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Vestfjord, day two<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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The road runs level with the water for eleven kilometres. There is one passing place and one bench.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Where to break the drive<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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The middle valley has the only fuel between the two fjords, and the bakery beside it opens at six. Everything after that is single track with grass down the centre, so give the last hour more time than the map suggests.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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What to pack for it<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Rain that arrives sideways, then twenty minutes of sun. A shell jacket, one warm layer and boots you can walk a wet path in will cover the entire week. Leave the tripod behind, the light does the work.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The falls above Rondane<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Twelve minutes from the layby, uphill on wet rock. Go early and you will have it to yourself.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Journal<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Stories that <\/div>
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Each picture holds still inside its own frame while the card travels, so the image arrives a beat before the words do.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\"\"<\/a>\t\t<\/figure>\n\t\t\t\t\t
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The field at the end of August<\/a><\/h3>
Sunflowers go over in about a week. We drove out on the last warm evening and shot until the light left the ridge behind her.<\/div>\t\t\n\t\t\t<\/path><\/svg><\/span>\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\"\"<\/a>\t\t<\/figure>\n\t\t\t\t\t
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Two hours above the red rock<\/a><\/h3>
You climb in the dark and then you wait. The colour arrives for roughly eleven minutes and the whole valley goes blue behind it.<\/div>\t\t\n\t\t\t<\/path><\/svg><\/span>\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\"\"<\/a>\t\t<\/figure>\n\t\t\t\t\t
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Downriver, no engine<\/a><\/h3>
Three days on the water between the limestone towers. The boatman reads every shallow by the sound the hull makes over it.<\/div>\t\t\n\t\t\t<\/path><\/svg><\/span>\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t<\/div>\n\t\t
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Reference 04<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Machined from a single billet<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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No case back, no seam. The whole body is cut from one piece of steel and the movement drops in from the front, which is why the profile stays under nine millimetres.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t

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Case<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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39 mm steel<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Reserve<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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72 hours<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Glass<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Sapphire, flat<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Water<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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100 m<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tFull specification<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The studio<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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One floor, one kettle, sixteen people who all end up standing around the same table by four in the afternoon. Scroll and the columns pull apart, then settle back level.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Juno Almeida<\/h3>

Studio director<\/h6>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Marek Vidal<\/h3>

Head of build<\/h6>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Esme Rowan<\/h3>

Colour and finish<\/h6>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Nadia Okonkwo<\/h3>

Set design<\/h6>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Clara Bright<\/h3>

Production lead<\/h6>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Sofia Lindqvist<\/h3>

Photography<\/h6>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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DEPTH<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Four kinds of depth<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Four different things move<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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This page runs all four, and each one moves something different. They are independent of each other, so a section can drift while the picture inside it stays exactly where it is.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Behind the section<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Background parallax<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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The section keeps its own photograph and lets it travel slower than the page, so the frame slides over a picture that is still catching up. The rail hero and the two field notes above are doing this.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The block itself<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Element parallax<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Nothing to do with pictures. A whole block drifts at a rate you set, which is how two columns of one grid can arrive a beat apart and then settle level again.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Inside the frame<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Simple parallax<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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The frame does not move at all. Only the picture inside it does, running against a fixed edge. That is what the journal cards and the workshop photograph use.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Under the pointer<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Tilt<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Not scroll at all. The card leans toward the cursor and a warm highlight follows it across the face. A touch screen never sees it, by design.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Three of the four stand down on their own when a reader has reduced motion switched on in their system. Movement inside a frame is the exception, so that is the one to keep gentle.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Last season<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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The numbers behind the run<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Forty-one nights across twelve stages, counted at the gate rather than estimated from sales.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Tickets scanned at the gate<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Nights of programming<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Came back the following year<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Stages across the site<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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One photograph<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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<\/div><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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All four tiles hold the same picture of the same field. Only the travel changes, so the difference you see below is the setting and nothing else.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Rises<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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the field lifts as you scroll down<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Sinks<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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the field falls the other way<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Slides<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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the field tracks to the right<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Closes in<\/div>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t
the field grows as it passes<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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In the workshop<\/div>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

<\/div><\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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The picture holds its place while the method scrolls past it, then releases at the last step. Nothing about the photograph changes, only what is beside it.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
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01<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Choose the blank<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Quartersawn beech, air dried four years, rejected if the end grain runs off more than five degrees. One board in six makes it through.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
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02<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Cut the bed<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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The mouth is opened to two millimetres and no wider. Everything the tool does afterwards depends on this one cut being square.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t
03<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Fit the iron<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Ground at twenty-five degrees, honed at thirty, bedded so the whole back sits flat. It is checked with a straightedge under a lamp, not by feel.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
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04<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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Shape the body<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Rasped, then scraped, then sanded through four grits. The final shape is set by hand against a template rather than by machine.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t
05<\/div>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t

Oil and test<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Three coats of hardwax oil, a day apart. The last thing that happens is a full-width shaving pulled off a piece of the same beech it was cut from.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Read next<\/div>\t\t\t\t<\/div>\n\t\t\t\t
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One wide frame, one long read<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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The same treatment at full width. Give a picture more room and the travel has further to run, which is the whole argument for a wide frame.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\"\"<\/a>Long read<\/span>\t\t<\/figure>\n\t\t\t\t\t
\n\t\t\t\t
Portrait<\/h6>

The half-second before the shutter<\/a><\/h3>
A studio session runs four hours and comes back with nine frames. The other three hours and fifty minutes are waiting, moving one light, and waiting again.<\/div>\t\t\n\t\t\tRead the piece<\/span><\/path><\/svg><\/span>\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Parallax Effects Smooth Scrolling Experience Add depth and motion to your website with smooth parallax scrolling. Sky Addons makes it easy to create visually engaging sections that capture attention as visitors scroll. Scenic rail The long way north Nine hours of viaducts, pine forest and coast on a line that has run since 1902. Window […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"sky_video_link_meta":"","footnotes":""},"class_list":["post-10192","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/skyaddons.com\/elementor\/wp-json\/wp\/v2\/pages\/10192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skyaddons.com\/elementor\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/skyaddons.com\/elementor\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/skyaddons.com\/elementor\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skyaddons.com\/elementor\/wp-json\/wp\/v2\/comments?post=10192"}],"version-history":[{"count":0,"href":"https:\/\/skyaddons.com\/elementor\/wp-json\/wp\/v2\/pages\/10192\/revisions"}],"wp:attachment":[{"href":"https:\/\/skyaddons.com\/elementor\/wp-json\/wp\/v2\/media?parent=10192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}